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Bhediya Movie Review

 Bhediya Movie Review



Bhediya story: A road construction contractor, Bhaskar, goes to Arunachal Pradesh to build a highway through the dense jungle of Ziro. Besides opposition from the tribals, his companions cousin JD, friend Jomin and he, have a bigger challenge. A series of unexpected deaths take place soon after Bhaskar is bitten by a wild animal. Is it a figment of someone’s imagination, or a werewolf folklore come true?



Bhediya review: Horror and comedy are, on their own, tough genres to pull off. Unless one has a tight grip on storytelling and cinematic treatment, a film in either category can fall flat. And this is where Bhediya comes up aces. Director Amar Kaushik, who helmed the horror-comedy Stree by the same banner, handles both genres skillfully in his latest outing and strikes a fine balance to deliver a movie that’s spine chilling in some instances, ribtickling in almost all, and leaves you with something to think about. Mythology surrounding werewolves have always provided great meat to filmmakers for their stories, and here, Amar Kaushik digs into the deep pockets of Arunachal Pradesh to tell a mysterious tale.

First and foremost, the most remarkable part about the movie is its visual impact. While cinematographer Jishnu Bhattacharjee has created the dark and enigmatic world of werewolves with the backdrop of the full moon in the midnight sky, jungles of Ziro and mountains splendidly, the vfx are outstanding. Monsters and creatures in films can often turn more spoofy than spooky because of shoddy makeup and effects. But not in Bhediya. The lead’s transformation from human to werewolf is convincing and terrifying. The film has many jumpscares and the background score only makes things scarier.

Varun is top-notch as the shape-shifting wolf. His act (a huge part of which was the physical transformation with ripping muscles and a perfectly sculpted body) will hopefully shift gears in his career. He gives this part his all, and it shows. Whether it’s the dramatic and high-energy scene where he transforms into a bhediya for the first time, to the hilarious scene when he struggles to slip into the werewolf's skin the in the second half — he excels. Abhishek Banerjee as Janardan, aka JD, is on point and does not miss a beat with his comic timing. Even in intense scenes, his comedy punches land, adding a certain lightness throughout this story that mostly unfolds in the darkness of the night. He also has the funniest lines in the film. Paalin Kabak as Bhaskar’s Northeastern friend Jomin completes the bhediya pack and has outstanding chemistry with both the actors, especially Abhishek. Deepak Dobriyal, as Panda, also delivers a notable performance. Kriti Sanon's character as the vet, Dr Anika, could have been better fleshed out. But she adds her bit to the drama and comedy.

The narrative, very smartly, includes the mention of several movies that continue to remain in public memory for many reasons, including Jaani Dushman, Rahul Roy-starrer Junoon, the 90s animation show Jungle Book and its title track ‘Chaddi pehenke phool khila hai,’ which will have you guffawing, and even Shehnaz Gill’s ‘Toh main kya karu, marr jaun?’ There are some more such howlarious surprises, but let's not give them away here all at once. Kudos to the writer Niren Bhatt for that.

The movie's first half is extemely gripping. It perfectly sets the tone for what will unfold soon and also brings in a sense of intrigue. However, the second half seems stretched and loses momentum in parts. It could do with a tighter edit. While all the songs are catchy and pleasant to the ears, dropping a song or two would have tightened the narrative. Also, at times it seems the film is trying to achieve a bit much. While it focuses on conservation and man-animal conflict, a subject that needs much dwelling upon, alongside it briefly touches upon the stereotyping of the people of Northeast, and how they have to often live with the 'outsider' label.

On another level, the film reminds us of our animal instincts and how there could be a bhediya in all of us. But how we wish to unleash it, for better or worse, is up to us. Beauty and the beast are all in us, we only have to look deep within. The film leaves you with an experience and a thought, maybe deeper than the forests of Ziro. So, set out and watch this one. For a howling good time, this one's worth a hike to the theatres. There's also a delightful surprise at the end. The film that releases in Hindi, Tamil and Telugu is best viewed in 3D.

Strange World Movie Review

 Strange World Movie Review


Cast & Crew

Story: In a faraway land of Avalonia, people struggle to make ends meet until the Clades family makes a discovery. During an expedition, the son finds a rare plant called Pando that acts as an energy source. Years later, they realise there’s more to Pando than meets the eye.



Review: Parents imposing their dreams on their children and kids rebelling against this norm until they become parents themselves — an evolving father-son equation and environmental conservation lie at the heart of Disney’s new animated adventure. Father Jaeger Clade (Dennis Quaid) takes pride in being an explorer and hopes his son Searcher (Jake Gyllenhaal) takes after him in his love for the mountains. They hope to go beyond Avalonia’s mountains and enhance its resources. However, the son is drawn to farming and his unwillingness to follow the exploration path separates the two. They accidentally reunite 25 years later only to discover how similar they are.

Despite some good actors voicing the characters, this is perhaps one of the most forgettable animation films from the studio. It’s not bad, it’s boring and sometimes that’s worse. There’s nothing exciting about the world it creates underground. You watch the vast land of living forests, burning seas, jelly-like slimy creatures, walking cliffs all with a sense of indifference. The visuals fail to engage or transport you to a make-believe world. Both the theme and execution feel dated and monotonous. The story does not establish an emotional or a visual connect. While the exploration part of it doesn’t thrill you, the father-son issues don’t have an impact either.

Despite its fairly short duration (less than two hours), you feel like you’d spent a lifetime watching it. Given Disney’s expertise and dominance in this feel-good world of animation, Strange World is strangely mediocre. Jake Gyllenhaal voices the character of ‘Searcher’ who weirdly looks like John Krasinski and that’s the most interesting discovery you’ll make here in an otherwise predictable tale.

Star Wars director J.J Abrams meets SS Rajamouli at the Governors Awards in LA; says he is a HUGE fan of RRR

 South director SS Rajamouli is one of India’s biggest filmmakers today and with his film RRR achieving milestones globally, it’s only up and above for him. RRR has managed to mark one of the biggest openings of the year and it has been unstoppable since then. Last night, SS Rajamouli attended Governors Awards in Los Angeles and met several known filmmakers and creators around the world. He also met the director of Star Wars, Mission Impossible, and many other remarkable Hollywood films, JJ Abrams, who said that he is a huge fan of RRR.


Jeffrey Jacob Abrams is an American filmmaker and composer who is best known for his works in the mastery of the genre of action, drama, and science fiction. He is one of the biggest directors in the world and has given films like Star Wars and the franchise, Mission Impossible, Super 8, and The Cloverfield Paradox amongst many others.

With RRR enjoying a massive response from the global audience, several big filmmakers and dignitaries have come ahead to praise the film, including JJ Abrams. RRR has performed far beyond expectations in the international circuit. The film grossed ₹1,200 crore worldwide, setting several box office records for an Indian film, including the third-highest-grossing Indian film and second-highest-grossing Telugu film worldwide.

RRR is a fictitious story about two legendary revolutionaries and their journey away from home before they started fighting for their country in the 1920s. The Telugu-language period action-drama film is produced by D. V. V. Danayya of DVV Entertainments. RRR released on March 25, 2022 in India.

DISENCHANTED MOVIE REVIEW

 DISENCHANTED MOVIE REVIEW 

Story: Giselle, an exiled girl from the magical kingdom Andalasia, relocates her family from New York City to a suburb in search of a 'happily ever after life.' On an impulse, she uses magic to create a fairy tale life only to discover that magic can turn on you and that happiness is what one makes of it


Review: Some stories lose relevance with time. ‘Disenchanted,’ a sequel to the popular fairy tale comedy film ‘Enchanted’ (2007), is a case in point. Featuring Amy Adams, who is still breaking into song frequently, this film is visually prettified and superficially developed to be interesting or funny. It eventually feels outdated and out of place.

When it was released in 2007, ‘Enchanted’ featured Amy Adams in a dramedy-musical that joked at the concept of fairy tales and good princesses. She played Giselle, a Miss Goody Two-Shoes, wrongfully exiled through a portal by an evil queen to New York City. A complete misfit in this world, she has to leave her song-heavy reality behind. From her animated kingdom with birds and animals and tons of flowers, she befriends pigeons and small animals in the city parks and finds a prince charming while sustaining her silly overdose of joy. ‘Enchanted’ had the tone of an inside joke, making a children’s film accessible and entertaining for all.

This time around, Adams reprises her role as Giselle, the beautiful mother of two girls. She is the stepmother to Morgan (Gabriella Baldacchino) and has a babbling baby cooing in a pink-and-pastel pram. Her husband, Robert (Patrick Dempsey), is a lawyer. They live in a cramped New York City apartment, a setup that in itself is ridiculous, for their home on Fifth Avenue, is a rare luxury for countless people in the Big Apple. Giselle seeks to build the problem-free, uncomplicated life of ‘happily ever after’ that everyone has taught her about in Andalasia, her magical home. She is determined to create a fairy tale life where Morgan isn’t being a ‘teenager’- read moody and sarcastic—and is unhappy to move out of NYC. They move to the New York suburban town of Monroeville, having bought a ramshackle, small castle-like house, which they call a fixer-upper but has many teething troubles. When the reigning king and queen of Andalasia (James Marsden and Idina Menzel) pay her a visit and gift the baby girl a Wand of Wishes, Giselle gets hold of it to hit reset. She wishes that their lives in Monroeville—a squeaky clean, boring suburbia—would turn into a fairy tale with a happily ever after.

Once her wish is granted, Giselle finds herself transforming into a wicked stepmother in a technicolor castle with singing village women; but now, Morgan lives like her maid in an attic, and her husband is out seeking adventure with a sword. She has hexed herself, turning the world around, and finds out that the fairy tale existence in Monrolasia is not hunky dory or nice.

In an additional track that feels like an afterthought during writing, there’s another wicked woman in town. A socialite, Malvina Monroe (since this is Monroeville, she inherits natural clout), played by Maya Rudolph, wants to be on top of everything in town. She likes to control and judge and has two rather annoying lackeys, who steal wands and take down cupcakes at her command. Even as Giselle resists her transformation into a cruel, wicked stepmother, bringing some of the movie’s most entertaining moments, eventually evil takes over. And the final part is about Giselle and Malvina warring it out for control and to be the evil and commanding social queen of Monrolasia.

Like the prequel, ‘Disenchanted’ also tackles clichΓ©s and the inherent problems that they bring to our collective understanding. Fairy tales need princesses and queens, bringing in social inequality; stepmothers have to be cruel and unloving, pandering to popular stories. Men have to go out to fight and look for adventure, giving them an air of uselessness. Meandering through these undertones and subtle remarks about fairy tales, to an average, Broadway-inspired musical score by Alan Menken and Stephen Schwartz, the film attempts to be sarcastic about the popular perception of happiness, the kind that fairy tales make up. However, its lax writing makes its attempts at humour fail. Adam Shankman, the director of ‘Hairspray’ and ‘Rock of Ages’, is off-tone here; which is why the film drags out without depth or focus on developing its characters.

‘Disenchanted’ is for those who liked ‘Enchanted’ and want to watch the prolific Amy Adams in a light-hearted role.





Drishyam 2 Movie Review

Drishyam 2 Movie Review


 Cast & Crew

7 years later, our smartest common man Vijay Salgaonkar (Ajay Devgn) has now leveled up in society, from being a cable operator to being a theatre owner who also decides what films to play for maximum profit after reviewing them. The family doesn’t stay all happy as the Police re-enter their life and this time it’s IG Tarun Ahlawat (Akshaye Khanna), a colleague of Meera Deshmukh (Tabu).

Tarun invests a couple of years in Vijay’s family to gather some proof to prove them guilty in court. Once he finds something, he gathers them all and if you’ve seen the prequel you know the drill. The last hour of the film is all about how Vijay again goes to every extent to protect his family from going to jail for a crime they’ve committed while defending themselves.


Drishyam 2 Movie Review: Script Analysis

Before I start to pour my heart out regarding what’s good & bad about the film, let’s make one thing clear: this is a remake & when I praise certain things about it, the actual credit should go to Jeethu Joseph for achieving that back in 2021. I especially gave the disclaimer because of kudos to Jeetu for maintaining the continuity of the narrative. Ajay‘s version also benefits a lot from the goods of the OG but it’s the unnecessary additions that spoiled the party for me.

The forced addition of bringing the ‘corrupt’ goon Gaitonde back, messes with the lead investigator’s (Akshaye Khanna) character to almost make him look ‘limited’ with his research hence downplaying the combat between the two opposite forces. Jeethu’s version, while building the plot, had a certain intrigue built around its side characters from the village which is vehemently missing in this one. Sudhir K. Chaudhary’s camerawork does give a more polished feel to the gloomy setup, but when I think of it Jeethu’s attempt of ‘keeping it basic’ with Satheesh Kurup had a better impact than this.

Drishyam 2 Movie Review: Star Performance

When you think of actors remaking Mohanlal’s magic from the original, there is no other perfect option than Ajay Devgn to do. The much-talked ability to act through the eyes is what makes both the stars more similar than different. As the helplessness of his character’s state of mind is on the relaxed side for the majority of the film, we don’t get to see the intense side we witnessed in the prequel.

Certain decisions with the character of Shriya Saran’s Nandini make her a weak point, in both, the story & the film. She doesn’t go over the board, but her character does. Akshaye Khanna isn’t the Akshaye Khanna I was expecting. Murali Gopy’s Thomas was a whole lot of cunning & clever than Akshaye’s Tarun. The trailer immediately reminded me of his act from Ittefaq but that’s not the case in the film.

Tabu was as much as she was in the trailer, again certain character decisions making her distant from the viewers compared to the prequel. Ishita Dutta’s Anju never touches on the impact Ansiba’s Anju had with exploring the PTSD around the character. Mrunal Jadhav, too, adds nothing substantial to the narrative. Saurabh Shukla & Rajat Kapoor are decent in their roles.


Drishyam 2 Movie Review: Direction, Music

It happened what was feared the most & Abhishek Pathak shouldn’t have added anything extra from the original. The extras cost the film to deviate from the matter at hand roaming in the no man’s land. The adaption is good, but the addition is not!

Did I miss Vishal Bhardwaj + Gulzar’s combo? Yes! Did I mind DSP + Amitabh Bhattacharya’s attempt? No. I definitely missed the intensity of Dum Ghutta Hai. King’s debut in Bollywood could’ve been better than Sahi Galat but unfortunately, that plays when the credit rolls.

Drishyam 2 Movie Review: The Last Word

All said and done, yes, the last hour does bounce back the lost interest but that’s the issue because the OG was more than just a jaw-dropping climax.




Mister Mummy Movie Review

Mister Mummy Movie Review


 
Mister Mummy Story: Amol (Riteish Deshmukh) and Guglu (Genelia Deshmukh), a lovey-dovey couple, have opposing views on having babies. But things take an unexpected turn when both of them become pregnant at the same time.


Mister Mummy Review: Mister Mummy is about a man who despises children because of his own past experiences, and his wife, who is desperately trying to conceive. But what happens if both get pregnant at the same time? It's unusual, right? Actually, the subject of this offbeat comedy is a condition known as ‘Couvade Syndrome aka sympathetic pregnancy,’ which causes a man to experience many of the same symptoms as an expectant mother, such as changes in appetite, nausea, insomnia, and weight gain. However, this 98-minute film is nothing more than a confusing drama that fails to entertain or educate its audience.

Director Shaad Ali who has co-written the film with Ananya Sharma, tries to, but struggles at, adding value and depth to the story. There's a substantial amount of ammo to work with—unplanned parenthood, distressed marriage, and a pregnant man, to name a few. But nothing is fleshed out in a compelling way. The majority of the scenes are also repetitive, making it a lengthy watch. Most of the humour is forced, and aside from Amol's conversations with himself, nothing makes you laugh. Conceptually, it is definitely interesting, but the way it's presented leaves a lot to be desired.

Genelia D'Souza's character is likeable whenever she appears on screen, but she doesn't bring anything new to the table. Even though Riteish Deshmukh, whose comic timing is impeccable, tries excessively hard to make it work this time, he is unable to save the sinking ship. Deshmukh performed far better in his previous OTT film, Plan A Plan B. To be honest, without an engaging story, even the endearing chemistry between Genelia and Riteish falls flat. Dr. Satsangi, played by Mahesh Manjrekar, is amusing in parts.

All things considered, Mister Mummy could have explored a lot more with the material at hand. But Shaad Ali ends up losing out on this opportunity. Definitely not worth watching.







SLUMBERLAND MOVIE REVIEW

SLUMBERLAND MOVIE REVIEW


Story: A young girl, Nemo (Marlow Barkley) lives with her father, Peter (Kyle Chandler) in an isolated lighthouse. One stormy night, her dad goes out to sea to rescue a boat in distress and loses his life. A heartbroken Nemo is determined to find her dad again and decides to plunge into ‘Slumberland’ where she hopes to find the wish-filfulling pearls that her dad had told her about during their bed-time storytelling sessions.


Review: Mounted as a magnum –opus dream fantasy ride for kids, ‘Slumberland’ is based on Winsor McCoy’s comic-strip series ‘Little Nemo in Slumberland’. The strip, about a young boy Nemo and his adventures in dreamland, has been hugely popular among its avid fans since its debut in the early 1900’s. In ‘Slumerland’ the film, Nemo’s gender is swapped and we have a nine-year-old girl as the protagonist.

When Nemo loses her dad to an unfortunate incident at sea, she is sent to live with her uncle Phillip (Chris O Dowd). After having a carefree life with her dad, Nemo is sent to a school in the city by her uncle, who doesn't quite know what to do with her.

Unable to fit in and determined to find her dad, Nemo starts drifting into 'Slumberland', the land of dreams. And it is here that she meets Flip (Jason Mamoa), an outlaw who as per her father's night time tales, used to be Peter's partner. Nemo manages to convince Flip, to help her find the coveted pearls. But it's a journey rife with obstacles and new discoveries, with a continuous stream between the waking world and the dream world.

Although backed by high budget special effects to bring alive a fantastical dream world and commendable performances by Jason Mamoa and Marlow Barkley, 'Slumberland' never quite soars. At the most, it remains a tepid watch, with a bland screenplay that does little to induce excitement, especially given that it's a film aimed at kids. And despite delving into realms of dreams, this one is in a land far far way from the liked of Inception!

Ironically 'Slumberland' stays true to its name and is not quite the slumber party one would have imagined or want to be stuck in.

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